|The Ultimate in Portability for Pattern Weavers|
Sunday, December 8, 2013
Friday, May 24, 2013
What that means, and no one is happier about this than Barb, is I will be much more available to work at Sutherland, and I am eager to welcome new and returning students back to the classroom. So I have been thinking about how to structure classroom time while maintaining flexibility for those who must schedule weaving classes around a job or other commitments or those coming from some distance to take a class. At the same time, I’m trying to carve out a little weekend time for myself, now that my weekdays are not dedicated to attending school.
Here is the plan, beginning in June 2013.
Open Classroom Saturdays
Most Saturdays of every month, except those where I am otherwise committed or the studio is busy, will be Open Classroom days from 10 am-4 pm. On these days, students may schedule Just Weave, Weaving I; or any of the Next Step classes in four- or six-hour sessions.
Next Step classes include “Weave a Twill Gamp, More Twills & A Taste of Overshot, Handwoven Lace, Color and Weave (a color a weave gamp below ) and Spice Up Your Recipe Weaving: A New Weaver’s Guide to Design & Project Planning.”
Students may begin a class at any time as long as a loom is available. They will continue the class on consecutive Open Classroom days, sharing the classroom and instructor time with others who may be at different stages in the same class or in a different class.
Advance registration and a 50% deposit are required to reserve an Open Classroom loom. Two make-up classes will be allowed, but if a student needs to miss more than two sessions, I simply ask that he or she leave the loom empty during the absence.
Fees will be the same as posted in the Class Listing: $95 for Just Weave; $310 for the 32-hour Weaving I class; or $215 for the 18-hour Next Step classes, plus yarn fees. If Saturdays just don’t work for you, call and we’ll work something out.
For the next few months, Open Classroom Saturdays will include June 1, 15 and 29; and July 13 and 20.
To better accommodate those who travel here to take a class, or who would prefer a more concentrated focus on a subject, I will schedule a two- or three-day workshop on Friday- Saturday or Friday-Sunday every other month. The subject may be any of the classes currently on the Class Listing or new ones I develop. First up will be Introduction to Designing & Weaving Warp Rep, July 26-27.
For some workshops, including this one, students may be asked to bring a pre-warped loom, or they may reserve an available classroom loom one day in advance. A small fee will be charged for loom rental for workshops.
Participation will be limited, based on space required for a particular workshop, and a minimum number of participants will be needed for the workshop to run.
Two-day workshops will be $180 per person and three-day workshops will be $215 per person, plus yarn fees if applicable.
I will also offer private lessons or custom classes on Tuesday-Friday at $30/hour, based on loom and time availability.
Sutherland will continue to present workshops by guest instructors. In fact, we’ve had a few seats open up in Daryl Lancaster’s Wearable Extravaganza five or seven-day workshop June 3-7(or 9). But contact us quickly if you are interested.
We’ve also just booked Kathie Roig, who will teach her popular Warp Painting class on August 23-25 and Connie Lippert teaching Wedge Weave Fundamentals Nov. 2-3. You’ll hear more details about these soon.
A new Sutherland Handweaving Studio Calendar of Classes & Events also should be ready for you to access soon. I’ll post a link when we’re done testing.
For those who haven’t been to the studio in a while, remember that we have moved. We are now at 372 Depot St. Unit 20, a sister studio with Desert Moon Designs Studios & Gallery, just a few doors down. I hope to see you here soon.
Your proud Haywood grad,
Tuesday, April 23, 2013
|Weaving on a Deadline|
Tuesday, January 8, 2013
Hello Sutherland friends,
Happy 2013. We have three exciting announcements to share with you as the new year gets started.
First, the third year of our Sutherland Weaver’s Study Group begins this Sunday, Jan. 13, at 2 pm at Sutherland Handweaving Studio. With the start of a new study subject, this is the perfect time to join. We will be reviewing our projects from the 2012 block design study with projects we wove from our shared profile draft. Then we will be kicking off our 2013 study of color in weaving with a video by Laura Bryant. We will be using Color-Aid papers to assist in our study and will have some sets available at the meeting. Each month, one member does a presentation related to the study subject, and we will be deciding what form those presentations will take on Sunday. We also leave time each meeting for show and tell, or show and ask, which is always inspiring and often just as educational as our study presentation. Please think about joining us this year. We have members with all ranges of experience who work on all styles and sizes of looms. Dues are $15 per year.
Second, Sutherland will be moving to a new location Feb. 1. We have enjoyed our time at the Cotton Mill, but now are taking the opportunity to move to a new studio in the River Arts District. We will be at 372 Depot Street, Unit 20, under the building banner of Desert Moon Designs, a gallery a few doors down. Not only will we have a big, glass storefront and more visitor traffic walking by, we also will be air conditioned! We are excited about the opportunities this presents for more comfortable classes, events AND STUDY GROUP MEETINGS in the summertime. There is parking on the street outside the building or in a new free, lighted parking lot across the street. For those who are familiar with Magnetic Field Theater, we are in that building. We’re planning an open house to celebrate, but may wait until spring, when the weather gets nice.
Third, speaking of classes, we are pleased that Daryl Lancaster has agreed to return June 3-9, 2013, to teach her Wearable Extravaganza, sewing with handwoven or other special fabrics workshop. For those who have never taken Daryl’s jacket class, that is the focus of this workshop. For those who have made the jacket, you may bring any pattern or patterns you like and get the benefit of Daryl’s help with design, fitting and couture finishing techniques. This year, you’ll be able to choose from the standard five-day workshop (Mon-Fri), or an expanded seven-day workshop (Mon-Sun). The two extra days are optional, but well worth the investment in terms of finishing up your projects. We’re still working out all the details given our new location, which will be…did I already mention this…air conditioned. But if you’re interested, let us know and we’ll put you at the top of our contact list when registration opens.
Just to be clear, our Study Group meeting this Sunday will be at our Cotton Mill studio. Starting in February, we’ll be in the new location.
We’re looking forward to a creative, successful year in 2013. We thank you for supporting us and hope to see you in the studio soon.
Karen and Barb
Wednesday, November 14, 2012
|The Thrills and Agony of Collaboration|
Saturday, September 15, 2012
Time is running short and seats are filling for the Tommye Scanlin/Pat Williams Advanced Tapestry Weaving workshop at Sutherland Oct. 27-29. Tommye and Pat have been working on the program for the workshop and it sounds like it will be a very productive and inspiring three days.
Because they want you to get the most out of the workshop, they need to have a final count by Oct. 12. So that is the signup deadline. We have a 10 participant limit for this workshop, so if you’ve been thinking about this one, let us know right away if you’ll be joining us.
Call or email for more details.
Saturday, August 11, 2012
Popular tapestry weavers and teachers Tommye Scanlin & Pat Williams return to Sutherland Handweaving Studio this fall for more tapestry weaving instruction.
This time bring at least three designs, or photos, or something torn from a magazine--representations of what you would like to weave into a tapestry. In other words, at least three ideas that would get you started on developing a cartoon suited to tapestry structure. Based on the cartoon, you will be guided in choosing an appropriate warp sett and a suitable color scheme, and encouraged to try new techniques that might be used for this particular design. Then you will start weaving with either a sampler for your next tapestry or possibly the tapestry itself!
Tommye Scanlin. “Kudzu: Bad Seed,” 24" x 24"(c) 2010
Pre-requisites: You must be able to warp a loom and have taken a beginners' tapestry workshop in your lifetime. What to Bring: Bring your own loom and warp it in the workshop according to your design. A variety of warp and weft yarns will be provided.
TO REGISTER: A deposit of $110 payable to Sutherland will be required to hold your place. Send to Sutherland Handweaving Studio, 122 Riverside Drive, Suite C, Asheville, NC 28801. Do not delay! These workshops fill quickly! The usual cancellation policies apply: If you must cancel more than 30 days prior to start of the workshop, you’ll get your deposit back, less a service charge. If you must cancel within 30 days before the workshop, the deposit will only be refundable if we can fill your place with another student. October 27-29, 2012; 9 am to 4 pm; Class Fee: $220; Supplies Fee: $10
Pat Williams. “Red Winged Black Birds: Memorial to Their Falling From the Sky,” 59” h x 21 w (c) 2011
Wednesday, August 8, 2012
|What the Teacher Learned at Convergence|
Thursday, July 12, 2012
From Little Inkle Looms, Passementerie Grows
Thursday, June 21, 2012
|Here’s a Toast to Alternative Second Warp Beams|
Sunday, May 27, 2012
Call for Entries
Project Handmade Fashion Show to Feature Contemporary Designs by Local Makers
(May 23, 2012). Textile artists and fashion designers working within a 100-mile radius of Asheville, NC, are invited to submit entries for Project Handmade, a fashion show dedicated to showcasing contemporary garments made with traditional handcrafted detail using local materials. The goal is to inspire textile artists to engage resources available in the region and encourage innovation to showcase and distinguish the region’s creative fiber and textile art community. The fashion show will be fall 2012 at the Asheville Art Museum.
Entries are due July 15, 2012, and must include digital images of original garments or fashion accessories representative of the applicant’s work and an artist’s statement that explains the processes involved in sourcing, creating, manipulating or embellishing the work and/or the fiber, yarn, fabric or patterns used to craft it.
Participants selected for the juried show will be asked to create garments or fashion accessories following the theme: Earth Tone Palette. Finished work must be received by Oct. 15, 2012, and is subject to final approval by the fashion show committee after the actual work arrives.
Any hand-processed technique may be used to make the fashion show submissions: growing, spinning, weaving, knitting, felting, dyeing, printing, draping, stitching, tailoring, painting or molding. Locally produced and repurposed materials are encouraged, as well as collaborations. For example, a local fashion designer might obtain fabric from a local weaver using yarn processed locally from a local fiber producer.
The fashion show is a joint project of Local Cloth: Farm/Fiber/Fashion Network and the Asheville Art Museum. Local Cloth is a Western North Carolina-based organization that encourages and supports collaboration among textile artists, designers, fiber producers, suppliers and related small businesses. Its mission is to sustain and grow a thriving regional fiber and textile arts economy and bring locally grown and made textile products to consumers within and beyond the Blue Ridge. Both Project Handmade and Local Cloth: Farm/Fiber/Fashion Network operate in cooperation with Handmade in America.
More details and entry guidelines are available at www.projecthandmade.org.
Saturday, April 7, 2012
We are happy to announce that Pat Williams will return to Sutherland June 15-17, 2012, to teach another tapestry workshop. This one will focus on beginners, because we’ve had a lot of interest in that. No experience, equipment or materials are necessary. The class will also be great for those who need a little refresher on the basics, as I seem to every time I start a new tapestry, and for those who’ve taken a class but would like a little more practice and guidance before moving on to a more advanced class we hope to offer next fall.
As usual, Pat provides all looms and supplies, but if you have a tapestry loom, you may bring it. Cost for the workshop is $180 for three full days, plus a supply fee for handouts and use of Pat’s yarn.
Our tapestry workshop filled quickly this year, so don’t delay if you’re interested. A deposit of $100 will be required to hold your place. The usual cancellation policies apply: If you must cancel more than 30 days prior to start of the workshop, you’ll get your deposit back, less a service charge. If you must cancel within 30 days before the workshop, the deposit will only be refundable if we can fill your place with another student.
Here’s a picture of Pat taken during our tapestry workshop last November.
Let us hear from you soon if you’re interested and thanks for spreading the word!
Monday, March 12, 2012
Saturday, February 18, 2012
Long time no post. The following post I wrote for Weaving Today was published last Wednesday. It talks about a new Textile Study Group just getting started in Western North Carolina. Contact me if you’re curious about the group. In the meantime, hope you enjoy this lesson in “old-school” research.
PS: We had a great turnout, nearly 50 people…and they stayed awake! Even had some post-lecture discussion.
Flipping Through the Years
Research has changed since my first term paper. Type a subject into your favorite internet search engine. Hit the enter key and voila, hundreds, maybe thousands, of online references pop up. Some may be a little off target, others WAY off target and even those that seem on target may not be accurate. Still it’s almost always possible to find what you’re looking for pretty fast.
Sometimes, however, I like to go old school. At the suggestion of Catharine Ellis, of Woven Shibori fame, we’ve started a new Textile Study Group in Western North Carolina to investigate historic, cultural and technical aspects of textiles. Catharine was the presenter at our first meeting in January and told us about her tour of several textile art centers in India.
When the sign-up sheet was passed around last fall, somehow February seemed like a good month for me to present, as it was early in the Haywood Community College semester and after Convergence exhibit deadlines. I decided to talk about manufactured regenerated fibers, such as rayon, Tencel® and bamboo, how they’re made, how sustainable they really are and why many handweavers love them. My textbook for the Haywood weaving classes was a handy and thorough reference for the technical information. (Textiles, by Sara J. Kadolph, if anyone is curious.)
Then 50 people showed up for Catharine’s talk and, suffice it to say, she rocked. Deciding more in-depth research was required so I would not embarrass myself, I turned to my other go-to source: Handwoven’s subject indexes, easily accessible at weavingtoday.com. My textbook is an excellent reference, but is focused on the textile industry. I knew I would find articles in back issues of Handwoven that discussed these fibers and yarns from the handweaver’s perspective, and recalled seeing a whole issue devoted to what were called “new” fibers at the time.
I’ve saved every issue of Handwoven since I began subscribing in 1999 and have been lucky to collect many more from the 80s and 90s, so I can usually pull almost any issue I need right from my own stash. I downloaded the 2005-2011 Handwoven Index to start my search for these not-quite-natural, but not-synthetic-either, fibers. I was pleased to see the editors have added a shortcut to the indexes near the top left corner of the Weaving today home page.
Now here’s what’s fun about these indexes. It is not possible, at least not yet, to search them like a computer database by keyword. The index is a pdf document that requires scrolling through an alphabetized list of subjects. Bamboo is right on the first page. I noted the articles of interest on a little yellow sticky note and scrolled to Fibers.
Before leaving the b’s, I spotted “Beiderwand,” the subject of my latest structure fascination and a workshop I teach. I probably had already pulled those references, but I noted them just in case. “Collapse Weaves,” my current project assignment at Haywood, came up shortly thereafter, so I started another sticky note. On the long path from F to Y, I spotted “Jurying Handwoven Textiles.” I’ve been invited to jury a local textile show, so better grab that one. Every so often, I come across a reference for a story I wrote. That’s always fun.
Oops, almost forgot about “Sea Cell,” “Sea Silk” and “Soy Silk,” but there they are in the s’. Finally I arrive at “Yarns” and quickly spot the issue I remembered: January/February 2005, page 26-29, “Fiber Forecast: A Guide to Using Yarns.” I head to my Handwoven shelves and pull all the issues I’ve noted. Flipping quickly through the one from 2005, I find lots of stories about the subject of my February talk and a handy chart on page 29. I even find a collapse-weave article on page 48.
Already I feel more confident about my study group talk. Hope we get another good turnout! Happy flipping.
Sunday, January 8, 2012
So it's 2012 and I am all in for trying new things this year. I started off with a bang, using alpaca from a local purveyor, Jaggerspun, and a yak/bamboo blend for two scarves I wanted to weave for men.
Wednesday, January 4, 2012
Happy New Year, Sutherland Handweaving Studio Friends!
Karen Donde and Barb Butler invite all weavers and weaver wanna be’s to join Sutherland’s Weavers’ Study Group as we start our second year. Our first meeting will be this Sunday, Jan. 8, from 2-4 pm, at our studio in the Cotton Mill Studios, 122 Riverside Drive, Asheville. We’re starting a brand new study subject, so this is an ideal time to join. We meet monthly on a Sunday afternoon, but which Sunday tends to fluctuate. We’ll try to work that out at the first meeting. So check out the details below and let us know if you’d like to join us. If you’re interested but can’t make it Sunday, we’ll put you on the contact list for next month. Don’t worry, we’ll catch you up.
Our study subject this year is block weaves. The group will choose one profile draft and everyone will weave a piece based on that profile, similar to Handwoven’s Weave-Along last year. Members will choose a month to show their sample and discuss how they interpreted the design. The process will work with any loom, from rigid heddle to multi-shaft.
At the first meeting on Sunday, Karen will provide a little tutorial about block theory, how to develop a profile draft and how to translate it to various weaves. We’ll work together to design a two-block profile draft that will be our inspiration for the year. Then we’ll assign months for members to present. Here’s one of Karen’s latest block weave projects.
We will also collect our $15 annual dues for 2012. Show-and-tell is one of the best parts of our meeting, so please bring whatever you’ve been working on, thinking about working on or have questions about. We love sharing successes and ideas.
We decided at our last meeting to arrange a tour of the Oriole Mill in Hendersonville, followed by dinner at the pizza place in Hendersonville. Our dues from last year would be applied to the bill for last year’s study group members. Others are welcome to join us. We’ll just ask that you buy your own pizza.
We had a lot of fun learning together last year and are excited about our study group’s second year. Hope you can join us!
Karen and Barb
Monday, December 12, 2011
Tuesday, December 6, 2011
Sutherland Handweaving Studio has some exciting news about guest instructors for 2012, just in time for holiday gift giving or gift hinting!
Excellent Holiday Gift Number ONE:
Laura Fry will teach a one-day seminar titled A Good Yarn, Saturday, March 17. Laura has been weaving professionally since 1977. Her work has evolved from table textiles to yardage woven for a fashion designer. She teaches throughout Canada and the U.S., writes for a variety of textile publications and has won numerous awards for her clothing fabrics. In 1997 she became the 27th weaver to earn certification as one of Canada’s Master Weavers. Her book, “Magic in the Water,” which is filled with woven samples prior to and after wet finishing, is a very special acquisition for a weaver’s library. Here’s just one page from my copy showing the samples on the right and a photo of the finished project on the left.
A Good Yarn is designed to help weavers better control their end results. Laura discusses fiber characteristics, yarn spinning and how weave structure and density affecting the finished textile. This is a tabletop workshop with no loom required. We have room for 20 participants and the cost is $120, plus a $10 supply fee. We’re going to need full payment for this workshop up front, as Laura is coming from British Columbia on a tour of the Southeast, and we need to lock in her travel plans as soon as possible.
Excellent Holiday Gift Number TWO:
Daryl Lancaster returns to Sutherland May 29-June 2 to teach her very popular five-day garment construction class, A Wearable Extravaganza: Wrap your body in clothing from you own hands. This is a terrific class for those wanting to learn to fit and sew clothing from their handwoven, hand printed, dyed, quilted, felted or other special fabric, as well as for those more experienced students wanting polished and professional results. Students will construct a basic unlined jacket, from their own fabric, custom fit to themselves, while learning all sorts of inspiring techniques to make their garments reflect their creativity. This class is designed to teach creativity as well as technique. Students who have already made a jacket with Daryl may opt to bring their own patterns. Even if you’ve taken a similar sewing class with Daryl, this class will move you to your own next level. Here is a link to the full prospectus, which includes more details and the supply list. Yes, you’ll need a sewing machine for this one.
We’re limited to only 10 participants for Daryl’s class, so make your reservation early. Cost is $450, plus a $35 materials fee, which includes an extensive handout…a book actually. A deposit of $225 will be needed to reserve your place in the class. The full balance will be due May 1, 2012.
Cancellation policy for both Sutherland workshops: Refunds of payments and deposits, less a $10 service fee, will be accepted up to 30 days prior to the workshop. After that date, refunds are only possible if another student can take your place.
FINALLY, Excellent Holiday Gift Number Three:
If your interest in weaving classes is more at a beginning level, another Weaving I: Three Warps, Three Towels class with Karen starts Saturday, Jan. 14, from 10 am-2 pm. This class will continue for eight, four-hour segments on consecutive Saturdays. Cost is $310, plus yarn fee.
So if your special Santa keeps bugging you for gift ideas, slip this blog post onto his or her computer screen . We have gift certificates! BUT please don’t wait to contact us if you want to make sure you have a place in our guest instructor classes. We think these are going to fill quickly.
Happy Holidays from Karen and Barb